Commissions
What we are asked for.
A description of the kinds of work that come through the door, written without naming a single client or showing a single commissioned piece.
The recurring commissions
- The armorial signet
A crest or full achievement cut intaglio into a gold bezel, usually to replace a ring worn smooth over two or three generations. The most demanding thing we do.
- The caseback
A short private inscription or an ornamental panel on a watch back, most often marking a retirement, an anniversary or a handover between generations.
- The recut
An heirloom whose ornament has gone soft. Half the work is deciding how little to touch, and that conversation takes longer than the cutting.
- The cypher change
A monogram that must become a different monogram, done by let-in panel so the original surrounding work survives intact.
- The accession run
Several hundred objects marked to a written institutional specification, often on the institution's own premises under its supervision.
- The trade job
Work taken on behalf of a jeweller, watchmaker or gunmaker for their own client, invoiced to the trade and never discussed with the end client.

How a finished commission arrives.
A plain card box, a narrow ribbon, no printing of any kind. The courier docket carries the minimum description the law requires and nothing that identifies the trade or the contents.
Documentation, including the condition report, the drawing and any proofs, travels separately and by a route the client specifies.
If the piece is a gift and its arrival must not be noticed, say so in the enquiry. We will schedule delivery around it.
For the trade
- Jewellers
White-label hand and laser work on your client's pieces. We do not contact your client, and we do not appear on your invoice unless you want us to.
- Watchmakers
Movement and case work on dismounted parts, returned in the same tray, coordinated to your service schedule.
- Gunmakers
Action, furniture and fitting work in the English and Continental idioms, arranged through you rather than the end client.
- Auction houses and dealers
Condition assessment of existing engraving, restoration advice, and covert marking for consigned property.
- Institutions
Accession and security marking to your written specification, on site or in studio, with location records supplied to your registrar.
What makes a good enquiry
- What the object is, and what it is made of
- What the engraving is for, and who will see it
- How long the piece must survive in use
- Whether it must match existing work on the same object
- Any deadline, and whether it is real
- Who referred you
Work begins with a conversation.
The studio takes a limited number of commissions each quarter. Enquiries are read by the engraver, not by an assistant.
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