Materials
Precious Metals
Silver, gold and platinum, each with its own temper under the graver.

Silver, gold and platinum, each with its own temper under the graver.
Sterling cuts sweetly and holds a bright facet better than almost anything else, which is why bright-cut ornament developed on silver. It is also soft enough to move under the tool if the piece is not properly supported, so everything goes on the block or in shellac before the graver touches it.
Gold varies more than clients expect. Eighteen carat yellow cuts cleanly. Nine carat is harder, grabbier, and inclined to tear on a fine line. White gold alloyed with nickel is hard work and unforgiving; palladium white is kinder to both the tool and the engraver.
Platinum is dense, gummy and slow. It drags on the graver face and demands a shorter heel and frequent stoning. Cut properly it holds detail better than any other precious metal and will still read sharply after decades of wear.
What we handle
- Sterling and Britannia silver
- 9ct to 22ct yellow and rose gold
- Nickel and palladium white gold
- Platinum 950 and palladium 950
- Cast, fabricated and spun stock
- Hallmarked work handled to assay rules
Work begins with a conversation.
The studio takes a limited number of commissions each quarter. Enquiries are read by the engraver, not by an assistant.
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